Fats Navarro Quintet — Nostalgia

Posted on August 4, 2012 by AmateurPianists 34 Comments

Fats Navarro Quintet - Nostalgia

Fats Navarro Quintet — Nostalgia (1947) Personnel: Fats Navarro (trumpet), Charlie Rouse (tenor sax), Tadd Dameron (piano), Nelson Boyd (bass), Art Blakey (drums) from the original album ‘FAT GIRL

The Quintet at Massey Hall — Wee (Allen’s Alley) (1953) Personnel: Dizzy Gillespie (trumpet), Chalie Parker (alto sax), Bud Powell (piano), Charles Mingus (bass), Max Roach (drums) from the album ‘JAZZ AT MASSEY HALL

34 comments

  • robchalfen says:

    apt recol­lection of Shavers, who spawned many licks iden­tified with bebop

  • bixntram says:

    Not to be too picky, but this was a contrafact: same chords as Out of Nowhere, not a substi­tution — okay, there were some tritone substi­tu­tions — par for the course in bebop, but really, it was the same chords as Out of Nowhere. I have to sing Out of Nowhere for my vocal jazz class recital and I’m going to attempt to blow them away by scatting Nostalgia after I sing the lyrics (or at least that’s my plan, if I can learn it). Yeah, you can hear where Clifford came from here.

  • bixntram says:

    Nice quote from Duke’s ‘Rockin’ Rhythm in his last chorus. Also, he uses the Tadd Dameron “Lady Bird” changes on the turn around at the end of the choruses. I’m gonna have to tran­scribe this; One of his solos that’s in my range, for once (LOL).

  • apsomar says:

    Fats was the father of what people called Hard Bop, he was the link behind Dizzy and before Clifford Brown

  • Douglas Gorney says:

    Bril­liant control! What a jewel of a solo.

  • MrDoctorRocker says:

    this song is so unbe­lievably peaceful.…

  • crowley1878 says:

    Actually I think it does, because, like you said in another comment, “Yes, this tune is borrowing chord progres­sions of a popular song “Out of Nowhere.” I think it was a relevant comment.

  • 60otaku3 says:

    crowley1878,
    I think it does not have any problem.
    By the way, because your comment had nothing to do with this song, I deleted it..
    Please do not post such the comment here.
    …Otaku3

  • dramione454 says:

    Has anyone heard at 0.41, Charlie Rouse fluffs a note and then Fats comes right back and “fluff’s about a second later? Too much to be a coincidence.

  • hremdldw says:

    Yes Fats and Dizzy are different sounding trumpet players,but their is a reason why Fats sounds like he does.It’s the foun­da­tions Dizzy provided in cord progres­sions, voicing.True without Dizzy Fat’s would have been a very lyrical trumpet player. More than likely in his short life span, I ‘m not sure it would have been the same player.Not taking anything away from Fat’s.Because of Fat’s sound we were blessed with Clifford,Lee,Donald Byrd, Freddie just too name a few players who loved Fat’s.

  • saxxman25 says:

    Fats n Dizzy were two different schools and around the same time though dont forget that… dizzy learned from fats as well

  • 963821 says:

    Let’s not forget blue mitchell!

  • 60otaku3 says:

    Yes, this tune is borrowing chord progres­sions of a popular song “Out of Nowhere”.
    Otaku3 (^_^)b

  • raphyelrosby says:

    These changes are very similar to “Out of Nowhere”

  • gusg1982 says:

    The best trompet solo I ever heard!!!..Fats Navarro!!!!!

  • robchalfen says:

    lets not forget his cousin Charlie Shavers, from whom Miles also took a lot, early on.
    (& how bout that quote from Rockin in Rhythm in the 2nd chorus)

  • ton41 says:

    Excellent comment. It is unfor­tunate that Navarro died so young.

  • Rickriquinho says:

    One of the greatest solos of jazz history, very lyrical!

  • 60otaku3 says:

    Thank you, hremdldw-san!!
    I am so glad for your kind comment.
    Otaku3 d(^o^)b

  • hremdldw says:

    Nice cord substi­tution for Out Of Nowhere.Dizzy’s the father of modern trumpet playing.Fat’s took Dizzy pattern and went in a more lyrical path,spawning Clifford Brown who spawned Lee Morgan , Donald Byrd and Freddie Hubbard.Of course Miles went in a different road than Fat’s Miles went for less notes longer tones loved ballads but could also cook.Each and every one of the trumpet players I spoke of owe a debt of grat­itude to John Burks Gillespie.Otaku you know how I feel about your taste,great.

  • danylongshaft says:

    DAMN, Fat girl swings like a muthafucka !!

  • 60otaku3 says:

    You’re right, Dexter Gordon was partic­i­pating to the other session on this album but a tenor saxo­phone player on this session was Charlie Rouse.
    …Otaku3 (^_^)

  • jibsmokestack1 says:

    Dexter Gordon plays sax on this session

  • 60otaku3 says:

    Thanks for your kind comment, TheUnheardHype-san!!
    Otaku3 (*^_^)/

  • TheUnheardHype says:

    true art.……  definitly grateful for you uploading this otaku~san . domo

  • pugoverlordoffspring says:

    The only person this amazing line up is missing is Ronnie Cuber cuz everybody could use a little bari, but other than that my mind is blown!

  • paxandrews says:

    the best playing hey?!!!! wonderful. cheers

  • TheLCSymbolic says:

    this is THE Personnel

  • xeticus says:

    I don’t even like jazz but OMG this song is mindblowing!

  • 1953jazzman says:

    As far as I’m concerned, this is the single greatest lineup of jazz musi­cians ever to appear in a group and be recorded (thank God!!) This jazz miracle happened just a scant few days after I was born! I knew there had to be a cosmic reason why I am so in love with jazz!! Inter­esting that Charlie “Bird” Parker had to be billed here as Charlie Chan to get around his contract for this recording!!

  • 60otaku3 says:

    You’re very welcome, 81gianc-san!!
    Otaku3 (*^o^)/

  • 81gianc says:

    What a perfection, master­piece!!!
    THANK YOU SO MUCH for posting this!!! :-) ))

  • 60otaku3 says:

    Thank you for the first comment on this video, Equi3v-san!!
    Otaku3 (^o^)/

  • Equi3v says:

    seri­ously this is the best perfor­mance I’ve heard, Dizzy Gillespie just rips your brain out with his mind-numbing solo. This is sheer perfection

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