Bösendorfer rocks ! Low Octave Black Keys Imperial Liszt Ballade 290 Lisitsa

Posted on April 17, 2012 by AmateurPianists 25 Comments

I thought it was fun to high­light just a fragment of Liszt Ballade #2 using the low octave . Look how those bass strings vibrate! it is insane :-) Better speakers and full volume is a must … In the score, Liszt writes the downward octave martellato passage in octaves in both hands — but then drops left hand to a single. Bosy Imperial 290 was not yet created back then… This piano( as well as a superb Steinway Hamburg on which I recorder Rach concerti ) is avilable for concert and recording rentals from Gerd Finken­stein : www.fluegelfink.de
Video Rating: 4 / 5

25 comments

  • DavidButterworth202 says:

    I remember accom­pa­nying a choir at the Llan­gollen Music Festival in 1998 — happily on a Bosendorfer Imperial. The piece was Roy Bennett’s Psalm 150, an exuberant work which used bottom Ds and B flats. In 1996 whilst playing on a Bosendorfer Model 225 (bass low F) for the choral movement Sing for Pleasure, I couldn’t resist ending a piece (in the key of A flat) with the sub — bass A flat!

  • DavidButterworth202 says:

    Incredible! How those sub bass octave notes enhance this work. This point in Liszt’s score is meant to terrify (in musical terms) and here it is realised to full effect. There is a perfor­mance available of Debussy’s Submerged Cathedral by Carol Rosen­berger in which she doubles the repeated low bass C; incredible when played through a good sound system.
    Other uses of the extra keys (in the printed score ) are the Bartok Rhapsody, Concertos and the Dohnanyi Vari­a­tions on a Nursery tune;

  • pianoprodigy987 says:

    thank you for posting this the day after my birthday, i consider it a late present, from the friend whom you dont know yet :)

  • jorgepeterbarton says:

    so these pianos go down to the c below A0 (usual piano low note)… this is below the human hearing range, 20hz being about the E… i guess that’s the genius of it having harmonics without funda­mentals that you can hear.

  • Mozartstavanger says:

    Bösendorfer Black Keys are really best instrument, and you play it beau­ti­fully Lisitsa!!

  • CziffraTheThird says:

    Valentina where is full video to this ballade!?!?!

  • AlfaAxel says:

    Besides the instrument being beau­tiful and incredibly sounding the most beatiful impression comes from your ability to play middle “registers”. I love your song-like phrasing towards the end. Thank! You!

  • dlgrim0621 says:

    Hi!I thought that was terrific!What a sound,sorta like a big exploshin.Nifty!LvU&prayerDan– Oh Yes,I’m going to try to give those two Grand canyon videos to Hilery Hahn.I’m not sure if anything I send gets to Her,but I do think they are worth watching. Thanks LvU much!

  • DanMarcy1 says:

    There’s also a nice oppor­tunity for a low Ab in Liszt’s Harmonie Du Soir.

  • MaestroTJS says:

    It’s a little surprising that no other maker has copied this design in some way or another. People might not realize that even when they’re not in use, they will vibrate in sympathy with the higher strings, which helps give the piano such a rich sound. I stood beside one of these as someone played and thought the piano had descended from heaven! I yearn for the day I might be allowed to play one…even for a few minutes.

  • acortot says:

    sorry, forgot about the first comment..

  • OriginalBasaliskos says:

    Did you not read my first comment? I said he would have loved it for concerts. There’s no point in arguing with you since you’re doing it for the sake of argument. Read first, then decide whether or not it’s worth commenting, because it really wasn’t.

  • acortot says:

    for playing concerts, yes..

    for composing no..

    he also used a small sweet-sounding vertical piano of the french design..

    he was flexible, and could use anything.. but his ‘daily companion’ for a great time was the Boisselot..

  • OriginalBasaliskos says:

    No. It is well known in the Liszt liter­ature that he preferred louder sounding pianos, like those of Erard, and often crit­i­cized the softer and delicate pianos of the age, such as those made by Pleyel. Liszt used many pianos in his life, for prac­ticing, performing, and composing, but he always preferred those with the loudest sound.

  • Reddigitalmusic says:

    Beau­tiful!!! Bring it over for studio practice!

  • tcubed420 says:

    oh my god 0:23 is so intense

  • acortot says:

    maybe.. maybe not… he composed on the Bois­selot, which is a small-sounding piano..

  • Kinjutsuu says:

    Aww it’s shameful Bösendorfer is now sold to Yamaha.…. seri­ously never buying asian piano :/

  • Danthemusiclover says:

    I look forward to your posting. This DVD will not play on my MAC (although the first two DVDs do). Also you speak of making analogue recording, but all this info: music + picture is coming to us digi­tally. I believe you are expe­ri­encing the loss of info that comes from low end players that are limited to 8 or 16 bit band­width whereas a high end decoder has 48 or even 96 bit width. You sound better on a McIntosh or other high player than on a $69.99 bluray player. 

  • fakelove7272 says:

    I have bought a ticket to see you in june 5, in the neza­hual­cóyotl room, I hope you don’t get distracted if I cry.… I’m sure I’ll cry, cause I cry even with no very special pianists, with you I’ll need a galon water to survive and don’t get dehydrated

  • fabptitpom says:

    Я вас люблю, Валентина

  • OriginalBasaliskos says:

    I bet Liszt would have loved to have one of our modern day pianos so that he could fill those large concert halls with his solo piano even more.

  • egbt4 says:

    0:42 is piano porn .

  • cmoreno12345 says:

    that was badass

  • buellwinkle69 says:

    Ukraine seams to turn out wonderful Musi­cians super pretty girls like Valentina and great aircraft as well.…. I would let Valentina play my Yamaha concert grand anytime.. : )

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